Writing With a Broken Tusk
Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. Since March 2024, Jen Breach (writer, VCFA graduate, and former student) has helped me curate and manage guest posts and Process Talk pieces on this blog.
The blog name refers to the mythical pact between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the epic narrative, the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House, now part of Reading Is Fundamental, and still miraculously in print.
Posts on this site reflect personal opinion and commentary protected under the Canadian Charter of Rights and Freedoms and the First Amendment of the US Constitution.
Process Talk: Andrée Poulin on Planting Sunshine
Children live in the same world as we do. It’s a world with violence, inequity, discrimination, hatred. It’s a world in which wars break out, drag on, reignite. If we pretend otherwise, imagining childhood as a magical place sealed off from reality, we’re deluding ourselves. Denying knowledge of war to children living in the relative privilege of a peacetime society only propagates the notion that we don’t really have to care about other people’s children, who may not be as lucky as our own.
Also, children are not easily duped. If there’s something we try to hide from them, that is the very thing they will do their best to ferret out. These are the knotty issues taken on by an unlikely text—Planting Sunshine is a slender novella in verse by Quebec writer Andrée Poulin, illustrated by Montreal-based musician and artist Enzo. I invited Andrée Poulin to tell me more about the making of this little jewel of a book.
Process Talk with Jen: Suma Subramaniam on V. Malar: Greatest Host of All Time
[Posted by Jen Breach for Writing With a Broken Tusk]
Suma Subramaniam’s V. Malar: Greatest Host of All Time is a glorious celebration of Southern Indian culture, diaspora, and family, all told in a personal, intimate story between a young Indian girl and the American-raised cousin she is meeting for the first time. The layers are nuanced and stunningly brought to life.
Mirrors? Windows? How About Prisms?
Monica Edinger has an interesting post about some of my favorite chapter books, the Anna Hibiscus books by Atinuke.
Elsewhere, I've suggested prisms as a concept, something to add to the usual array of glassy metaphors about reading. I maintain that cultural content in children's books needs to be woven into the story so the authors intention is not stamped all over it. It needs to be taken for granted by the character concerned, the way Anna takes her melded identity.