Writing With a Broken Tusk
Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.
Since March 2024, Jen Breach (writer, VCFA graduate, and former student) has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles.
Process Talk: Meera Subramanian and Danica Novgorodoff
Around us, storms are storming, droughts are droughting, ice is melting. Polar bears and whales are doing their best to adapt, while we’re whizzing toward tipping points at great speed. Mostly I want to duck and hide but there’s nowhere to hide. Meanwhile, the oil and gas industry’s trying to get as much of its product out of the ground as fast as it can, when it knew perfectly well, decades ago, that this was coming.
As always, swirling news about the planet and us resolve into a single question for me: what do we tell young people? What can we say that will help them cope with effects whose scope we are only now beginning to understand? If you wanted an answer that is appealing and humane, vivid and thoughtful, clear and compassionate, here it is—A Better World is Possible: Global Youth confront the Climate Crisis by Meera Subramanian and Danica Novgorodoff. I asked them if they’d tell me about making this book. Here’s our e-mail exchange.
Process Talk with Jen: Barry Wittenstein on The Day the River Caught Fire
Today Jen talks to Barry Wittenstein about his narrative nonfiction picture book The Day the River Caught Fire: How the Cuyahoga River Exploded and Ignited the Earth Day Movement, illustrated by Jessie Hartland.
Looking the Tiger in the Eye
The Great Derangement: Climate Change and the Unthinkable was Amitav Ghosh’s first book of nonfiction after his marvellous travel memoir and quest to unpack history, In an Antique Land (1992).
The opening chapter contains this passage on the Sundarbans, that mangrove forest region where three rivers run into the Bay of Bengal:
The Sundarbans are nothing like the forests that usually figure in literature. The greenery is dense, tangled, and low; canopy is not above but around you, constantly clawing at your skin and your clothes. No breeze can enter the thickets of this forest; when the air stirs at all it is because of the buzzing of flies and other insects. Underfoot, instead of a carpet of softly decaying foliage, there is a bank of slippery, knee-deep mud, perforated by the sharp points that protrude from mangroves roots. Nor do any vistas present themselves except when you are on one of the hundreds of creeks and channels that wind through the landscape—and even then it is the water alone that opens itself; the forest withdraws behind its muddy ramparts, disclosing nothing.
That description transports me there, forces me to care when it would be so much easier to back away from the book’s big questions.
