Writing With a Broken Tusk
Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.
Since March 2024, Jen Breach (writer, VCFA graduate, and former student) has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles.
Invitation to the Invisible World
Long before our present-day preoccupation with invisible germs, Antony van Leeuwenhoek peered into a world of miniature life present in and around us.
Who We Really Are
Courtesy of the brilliant Maria Popova of Brain Pickings, here is poet Marie Howe’s reflection on humans and time and the big, big picture:
Childhood Book Memory
My son, on a trip to Rome, recently sent me this photo of a house that Hans Christian Andersen lived and wrote in during his year in Italy. What, I wondered, did he work on there from 1833 to 1834? One of his travelogues? It turns out it was his autobiographical novel, The Improvisatore, and the trip was sponsored by ad usus publicos, a Danish public fund set up in 1765 and used in the 1800s mainly to support literature, art and the sciences. In other words, this was a residency!